Great Movie, giving an introduction to the new book “Less and More – The Design Ethos of Dieter Rams”. Incl. his 10 commandments on good design. Hero!
Archive for the 'movies, recordings, and more' Category
Construction of the Prada Transformer Pavillion (from prada-transformer.com)
Have a look at OMA’s most recent project for Prada, the ‘Prada Transformer‘. The project has it’s own proper website, featuring Rem presenting, plans and renderings as well as a construction time lapse in progress.
“I would not like to live in a cublicle house. [...] I would rather live on a bench in Hyde Park.”
Snippets from an 1959 interview with Mies van der RoheSound from the BBC Sound Archive – listen here. Via urbanophil.
Still from “koolhaas houselife” (1998, BekaFilms)
I just stumbled over the website of koolhaas houselife, a movie about OMA’s villa Floriac in Boredaux (flickr images):
This is realized through the stories and daily chores of Guadalupe Acedo, the home’s caretaker and housekeeper, and the other people who look after the building. Following and interacting with Guadalupe, blooms an unusual and unpredictable look at the spaces and structure of the building.
This approach is in stark contrast to the usual clinical clutter-free and people-less depiction of architecture on the one hand. On the other hand it shows us a building not in it’s new (idealised) state, but after some years of use, when small adaptations have been made, some details proved to work well and others fail: the design is confronted with human use, the structure became a home. In Koolhaas words (video after the break): Continue reading ‘Koolhaas Houselife’
MovingCities.org has published the fith and last part of a wonderful documentary on China. Each part is about 6 minutes and covers different themes.
The documentary is a mix of very quiet, long shots of remarkable sites and thoughts of five local architects to the respective theme.
‘China According to China’ is initiated, developed and shot by Diego Grass Puga from 0300TV, a web channel for architectural broadcasting. It was completely filmed before 2008’s Beijing Olympics and edited right after its ending.
Continue reading ‘China According to China’
PS10 solar power tower
I’ve watched a highly interesting documentary on the prospects of solar power today. Now an english version is available on youtube:
Continue reading ‘Here Comes The Sun’
I was also in Venice for the inauguration of the 11th Venice Architecture Biennale. Unlike the other members of Dysturb, this was the fourth time I have attended the opening of the biennale (in 2002, 2004, 2006 and 2008). So, for me, it was difficult not to compare Aaron Betsky’s work at the Arsenale to the work that had been done by the previous international curators (Burdett, Foster, or Sudjic) of the other biennales. On top of this, the Venice Biennale is the main case study for my PhD thesis: the 1st Venice Architecture Biennale.
I have to say that when I left the Arsenale after seeing the exhibition, my enthusiasm was lukewarm: on the one hand I thought, as Darrel did, that the theme chosen by Betsky was loaded with intellectual potential and openness of interpretation and that overall, the show was well curated due to the compactness of the manifesto format. (In the past years the Arsenale’s bombarded the visitors with an overload of images, information, texts, and so forth.) But at the same time, many of the installations and accompanying manifestos remained obscure and slightly too artistic for my own tastes, and likely for the taste of many architects.
But now I see the light…
Continue reading ’11th Venice Architecture Biennale: The Making of’
With the attention on Beijing, the New York Times has prepared a small but interesting interactive map showing the creation and destruction of Beijing over the recent years. Three sections of the map highlight the new Olympic venues, the urban change of Beijing as well as new architectural projects.
Continue reading ‘This is happening to Beijing’
Fellow dysturber, Darrel Ronald, founded Open Form Architecture in Montréal (Canada) with colleagues Maxime Moreau and Maurice Martel. We were recently invited to participate in the Pecha Kucha Montréal as our first public presentation. Following our 20 slides / 20 seconds at the special edition of Pecha Kucha Montréal as part of the Portes Ouverts Design Montréal festival, we have made the slides, as well as video available online.
The title of our presentation is, Simple Rules, Complex Behaviour, and illustrates a limited selection of our work over the past years dealing with generative design, cellular automata, simple programming and complexity. We have been particularly influenced by the work of Steven Wolfram and his book, A New Kind of Science. Having participated in two of his NKS Summer Schools, we’ve been fortunate to collaborate with him and a team of mathematicians and programmers in the United States using Mathematica software.
The presentation is bilingual French and English, just like our favourite city! Unfortunately the first words are cut off, and they are: WE ARE OPEN FORM, and WE LOVE OPEN FORM! We hope you enjoy! Below are our 20 slides, that accompany the video.
Continue reading ‘Open Form Architecture @ Pecha Kucha, Montreal’
A new documentary film, archiCULTURE, is in the works about the lives of student architects and the culture surrounding the daily life of design students. The film (trailer) is a grassroots project currently seeking money to finance the project.
Continue reading ‘archiCULTURE: The Film’
© Blue Eye Productions
I had to laugh when I found this video linked from the OMA website. After OMA won the BNA Cube award in the Netherlands, this video was produced by Blue Eye Productions to portray the working atmosphere within the office. I really hope you guys (that work there) respond to this. I can tell that some things are true, but others are misleading, like the fact that the teams in the office “are not competitive.” Also linked from the Blue Eye Productions website are other videos and topics concerning architecture.
And if you get the urge to work for OMA, and haven’t applied all ready, they’re (always) looking for people.
Erection of the Euromast, designed by Huig Maaskant
Since the fog is holding Rotterdam hostage since a few days (my wonderful theory burst into pieces…) you’ll be happy to hear that next weekend (Oct. 11th to 14th) we’ll have the architectur film festival in town.
Reservations are possible since a few days so get to the phone (010) 411 5300 and make sure you get to see a few delicacies.
Our preliminary tips would be:
Continue reading ‘Architecture Film Festival Rotterdam’
Ciudad del Motor, Bird View (UN Studio – 2006, Alcaniz, Spain)
Ciudad del Motor, Plaza (MVRDV – 2006, Alcaniz, Spain)
UN Studio and MVRDV (in collaboration with the spanish office GRAS) have recently sent us their competiton entries for the Ciudad del Motor in Spain, which has been won by the widely published, but less interesting fish-shaped design by Foster.
UN Studio’s design is a continuous dynamic form, a structure ducking to the ground with a motor-sport aesthetic, reminding of the visual language of an BMW ad. MVRDV’s proposal is a group of buildings – blocks breaking from the ground in a sandy desert, creating an ensemble of squares. Where UN Studio’s design is a new object in the landscape, MVRDV’s design forms part of it. More of a place, less of an object. You can download MVRDV’s project PDF, complete with sections and plans (Thank you, Oana!) here:
MVRDV - Motorcity Alcaniz: Download
Typography by Emil Ruder (from Mark Simonsons lecture)
Mark Simonson was invited to talk about typography legend Adrian Frutiger last summer at TypeCon in Boston. He made his inspiring slides available as a PDF. Something you should miss in no circumstance, if you are ever so slightly interested in design! Read more on Simonson’s blog.
Or download here:
Adrian Frutiger: A Personal Perspective. By Marc Simonson: Download
Left to right: Mark Wigley, Ole Bouman, Rem Koolhaas
The NAi (new website) hosted the book launch and discussion featuring Rem Koolhaas, Mark Wigley and Ole Bouman Monday night in Rotterdam (10-09-2007).
The three presenters first outlined their positions about the gulf region context, before sitting down to take questions about the book. As a possible strategy to diffuse the potential early judgments and criticisms of the crowd, Bouman asked the question, “Who has been to Dubai [or gulf] and seen it first hand?” Roughly not even 10% of the crowd raised their hands, and only half-heartedly at that. It reflects one of the weaker themes of the evening that ‘we should not judge’ the situation in the gulf region, especially in the UAE. When it came to the questions at the end of the evening, the presenters were at times defensive, and repeated numerous times that the books aims to suspend judgment and rather present a detached overview/reading of the situation. But this is not to say the evening wasn’t full of great ideas, polemics galore, and of course, the exciting subject of Dubai and the Gulf Region itself.
More Photos can be found in our photo section.
Continue reading ‘Al Manakh – Listen to the Koolhaas, Wigley & Bouman Debate @ NAi’
associative design III – berlage institute second year studio (requires quicktime, turn sound on)
Last week I attended the presentations of the associative design 2nd year at the Berlage research studio synthetic vernacular. Led by Peter Trummer and assisted by our fellow dysturb evangelist Martin Sobota, the class investigated traditional chinese building typologies. The principles found in the analysis were used to create a set of rules to create a framework to parametrically derive urban structure and architecture of an exemplary plot in Shanghai: Deus ex Machina.
The research group divided up into for teams, each focussing on different base parameters as FAR, degrees of privacy, climate, internal room organisation, sun trajectories. The formal decisions of the teams also led to varying urban fabrics, from low-rise high-density urban mass not unsimilar to south-american favelas to a styled courtyard & slab network. The results are cutting edge and and visualisations of the process are breath-takingly beautiful. But watch the movie first, then proceed to the review.