Archive for the 'events + super design fun' Category

12th Biennal in Venice – First Pictures

Biennale 2010 - Belgian Pavillion

Bien­nale 2010 – Bel­gian Pavil­lion (photo: Thomas Stellmach)

As every 2 years, we have been attend­ing the Venice Archi­tec­ture Bien­nal. Find some first impres­sions below (if you’re read­ing the RSS feed, these images might not show):

see all photos also on our photo page or flickr space

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Experimenta Design 09 Lisboa

Lisboa map

Exper­i­menta Design Lisboa Locations

As men­tioned below, EXD09 is going to kick off soon.

I am espe­cially look­ing for­ward to the talks with Ale­jan­dro Aravena and Julien de Smedt on 9th Sep­tem­ber and Kon­stan­tin Grcic and Giulio Cap­pellini on the 12th. I’ll also have a closer look at the public space project at Jardim de Santos and the project towards a new crit­i­cism in design and archi­tec­ture ‘Stop & Think’ – read more on that in the EXD’09 Detailed Pro­gram (pdf).

Bauhaus. A Conceptual Model

20_Gropius_1921_N_3_84 (Work model for the memorial for the “March Heroes”, 1921, Klassik Stiftung Weimar © VG Bild-Kunst, Bonn 2009)

Work model for the memo­r­ial for the “March Heroes” by Walter Gropius, 1921, Klas­sik Stiftung Weimar © VG Bild-​Kunst, Bonn 2009

Per­fectly in tune with my recent move from Rot­ter­dam to Berlin* I can rec­om­mend the Bauhaus exhi­bi­tion in the Martin Gropius Bau (where else?) in Berlin. The exhi­bi­tion – the largest on Bauhaus in his­tory – will be open until 4th of Octo­ber 2009, and focuses on the period 1919 to 1933. It is refresh­ing and and over­whelm­ing to see this wealth of utopian ideas, espe­cially now.

39_Toilettentisch_Breuer (Marcel Breuer (design and realisation), Gerhard Oschmann (reconstruction), Lady’s dressing-table from the Bauhaus experimental house “Am Horn”, Weimar, 1923)

Marcel Breuer’s Lady’s dressing-​table from the Bauhaus exper­i­men­tal house “Am Horn”, Weimar, 1923

Con­tinue read­ing ‘Bauhaus. A Con­cep­tual Model’

20 seconds

youandexd

you and experimentadesign

Exper­i­men­taDe­sign Lisboa has announced a call to submit a twenty second (20”) video for you to stand a chance to win spe­cial passes to EXD’09 Lisboa. More.

I like the idea of con­strained design chal­lenges, often lead­ing to more inter­est­ing results as absolutely free choice of media. The demo scene comes to mind, with the inher­ent need to con­strain the demos to min­i­mal file­size (a good intro­duc­tion would be this video), or artists exper­i­ment­ing with a min­i­mal selec­tion of tools: Steve Reich cre­at­ing sounds by just cut­ting and loop­ing (inter­est­ing enough per­formed live again by Peter Aidu in the video below), or Lars von Trier and the dogma move­ment, who banned effects and illu­sion, to get back to the essence of movie-​making.

Steve Reich – Piano Phase (per­formed by Peter Aidu)

For more about the com­pe­ti­tion and Exper­i­men­tade­sign – Con­tinue read­ing ’20 seconds’

Complexity Theory Conference @ TU Delft

Complexity Theories have come of Age

Com­plex­ity The­o­ries have come of Age

Don’t let the poster mis­lead you! TU Delft’s U-Lab comes up with a daring con­fer­ence break­ing from its single-​disciplinary con­ser­vatism. During 3 days from Sep­tem­ber 24th on math­e­mati­cians, physi­cists, urban­ists and design­ers gather in Delft. They will explore the impli­ca­tions of com­plex­ity the­o­ries of cities to plan­ning and urban design. Besides hot­shot pro­fes­sors Juval Por­tu­gali, Bill Hillier, and Mike Batty, gonna-be’s, or maybe wanna-be’s like Egbert and me will take the floor.

The con­fer­ence has a lim­ited audi­ence capac­ity, and is first-​come, first served! For more infor­ma­tion, you may see com​plex​i​tythe​o​riesofc​i​ties.com, send an email to me and check out the other dates in our cal­en­dar of selected Rot­ter­dam Archi­tec­ture Events.

Three decades of research have estab­lished the field of com­plex­ity the­o­ries of cities as a dom­i­nant approach to cities. Now that the field has come of age, it is time to stop for a moment, look back at what has been achieved, with appre­ci­a­tion, but also with sober crit­i­cism and then look for­ward at poten­tials that have yet to be real­ized. Con­tinue read­ing ‘Complexity Theory Con­fer­ence @ TU Delft’

Hunch 12: Bureaucracy – Launch Event

hunch12_cover_website

After a couple years with­out pub­lish­ing, the latest issue of Hunch #12 will be relaunched in col­lab­o­ra­tion with NAi Pub­lish­ers at the Berlage Insti­tute, Rot­ter­dam. The event takes place this coming Tues­day, the 31st March, at 19:00 within the school itself.
Con­tinue read­ing ‘Hunch 12: Bureau­cracy – Launch Event’

4th International Architecture Biennale Rotterdam – Exploring Urban Futures

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Refuge Urban­ism; © Unknown

The web­site for this year’s 4th Inter­na­tional Archi­tec­ture Bien­nale Rot­ter­dam 2009 is fully online and oper­a­tional. Rot­ter­dam archi­tect Kees Chris­ti­aanse will curate the pro­gram, and has devel­oped the theme: Explor­ing Urban Futures. He will be work­ing in asso­ci­a­tion with a team in Zurich at the ETH, where he also teaches urban design. In Rot­ter­dam, Chris­ti­aanse runs his own office, KCAP, which is rec­og­nized for work in both archi­tec­ture and urban design. Being the 4th bien­nale, expec­ta­tions are high fol­low­ing what many per­ceived as a decline in the scale and qual­ity of the last, 3rd Bien­nale enti­tled “Power”.
Con­tinue read­ing ’4th Inter­na­tional Archi­tec­ture Bien­nale Rot­ter­dam – Explor­ing Urban Futures’

Antiblob

Prada Transformer Screenshot

Con­struc­tion of the Prada Trans­former Pavil­lion (from prada-​trans​former.com)

Have a look at OMA’s most recent project for Prada, the ‘Prada Trans­former‘. The project has it’s own proper web­site, fea­tur­ing Rem pre­sent­ing, plans and ren­der­ings as well as a con­struc­tion time lapse in progress.

Workshop Advanced Architectural Structures

TU Eind­hoven invites to par­tic­i­pate in the Work­shop Advanced Archi­tec­tural Struc­tures, from 9-13 March. The work­shop deals with gen­er­a­tion and pro­duc­tion of doubly curved sur­faces and includes an intro­duc­tion to Rhino as well as Pro­cess­ing. Reg­is­tra­tion closes tomor­row, par­tic­i­pa­tion fee for pro­fes­sion­als is 300 Euros. Full pro­gram after the fold.

Con­tinue read­ing ‘Workshop Advanced Archi­tec­tural Structures’

Rebuilding the Bouwkunde (TU Delft) – Coming March 14!

bouwkunde-01

Photo © Dennis87 on FlickR

Since the dev­as­tat­ing fire that con­sumed the noto­ri­ous archi­tec­ture fac­ulty at the TU Delft in 2008, the archi­tec­tural com­mu­nity in the Nether­lands has been hold­ing their breadth to find out what their new fac­ulty would look like. The open inter­na­tional ideas com­pe­ti­tion has recently closed, and the TU Delft is plan­ning to launch the project win­ners at the NAi in the coming weeks.

On March 14th at the NAi, the award win­ners and men­tions will be announced and a debate held to dis­cuss the work. The museum will simul­ta­ne­ous open an exhi­bi­tion doc­u­ment­ing the work that will run until the 7th June 2009. In total 466 entries came from 50 coun­tries, and the com­pe­ti­tion orga­niz­ers will pub­lish a mono­graph of the work this May.

Object Rotterdam

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Love Bag Ted Noten (by Rob Koudijs)

From 4th to 8th Feb­ru­ary Las Palmas Rot­ter­dam hosts the Object Rot­ter­dam Fair for autonomous design. Check our cal­en­dar for more dates in Rotterdam.

Action In The City

Exhi­bi­tion Entrance; Photo: Darrel Ronald

A new exhi­bi­tion at the Cana­dian Centre for Archi­tec­ture, Actions: What You Can Do With The City, explores the thou­sands of exam­ples around the globe of people reclaim­ing urban space through Do-It-Yourself (DIY) actions in order to human­ize the failed urban real­i­ties around them. While urban action has become a hot sub­ject over the recent years, the CCA has approached the sub­ject from a broad cri­tique that mixes 99 Actions done by artists, archi­tects, design­ers, politi­cians, activists, ath­letes and most impor­tantly aver­age cit­i­zens. In many cases the actual museum arti­fact didn’t exist, thus giving the museum the chance to create the work.

Con­tinue read­ing ‘Action In The City’

James Stirling Lecture at the CCA

Montréal’s Cana­dian Centre for Archi­tec­ture (CCA), in col­lab­o­ra­tion with the Cities Pro­gramme of the London School of Eco­nom­ics and Polit­i­cal Sci­ence (LSE), will host this year’s James Stir­ling Memo­r­ial Lec­ture on The City this coming Thurs­day, 13 Nov. 2008 (7pm) at the museum; admis­sion is free. In it’s 3rd year, the inter­na­tional com­pe­ti­tion intends to “promote inno­v­a­tive approaches to urban phe­nom­ena, and to repo­si­tion archi­tec­ture at the centre of debates on the city of the 21st century.”

This year’s lec­ture is by Robert Man­gurian and Mary-​Ann Ray of Studio Works (Los Ange­les) and will present Bei­jing Inside Out: Caochangdi.
Con­tinue read­ing ‘James Stir­ling Lec­ture at the CCA’

The sky is no limit

Illu­mi­nated Tele­vi­sion Tower; Photo: Iwo Gospodinov

Last week my friends Bob and Chris­t­ian gave a new sil­hou­ette to cologne, by means of illu­mi­nat­ing the tele­vi­sion tower with a spec­tac­u­lar lighten moved dress.

Up to the 1980s the con­struc­tion of a tele­vi­sion tower was a matter of course for many German cities to under­line their urban char­ac­ter. Cologne is no excep­tion: The local Colo­nius was designed by Erwin Heinle and was fin­ished in 1981. With a height of 266 meters it is not only the high­est tele­vi­sion tower in Nordrhine-​Westfalia, but also a strik­ing land­mark that is vis­i­ble from far. As such, it is an inher­ent part of Cologne’s sky­line by day and night. Unfor­tu­nately its sig­nif­i­cance as a tourist des­ti­na­tion has been lost since the clo­sure of the obser­va­tion plat­form sev­eral years ago.
The archi­tects Chris­t­ian Dieck­mann and Robert Wet­zels want to re-​raise the aware­ness for the sig­nif­i­cance of the dis­tinc­tive build­ing for the cityscape of Cologne:
Con­tinue read­ing ‘The sky is no limit’

11th Venice Architecture Biennale: The Making of

I was also in Venice for the inau­gu­ra­tion of the 11th Venice Archi­tec­ture Bien­nale. Unlike the other mem­bers of Dys­turb, this was the fourth time I have attended the open­ing of the bien­nale (in 2002, 2004, 2006 and 2008). So, for me, it was dif­fi­cult not to com­pare Aaron Betsky’s work at the Arse­nale to the work that had been done by the pre­vi­ous inter­na­tional cura­tors (Bur­dett, Foster, or Sudjic) of the other bien­nales. On top of this, the Venice Bien­nale is the main case study for my PhD thesis: the 1st Venice Archi­tec­ture Biennale.

I have to say that when I left the Arse­nale after seeing the exhi­bi­tion, my enthu­si­asm was luke­warm: on the one hand I thought, as Darrel did, that the theme chosen by Betsky was loaded with intel­lec­tual poten­tial and open­ness of inter­pre­ta­tion and that over­all, the show was well curated due to the com­pact­ness of the man­i­festo format. (In the past years the Arsenale’s bom­barded the vis­i­tors with an over­load of images, infor­ma­tion, texts, and so forth.) But at the same time, many of the instal­la­tions and accom­pa­ny­ing man­i­festos remained obscure and slightly too artis­tic for my own tastes, and likely for the taste of many architects.

But now I see the light…
Con­tinue read­ing ’11th Venice Archi­tec­ture Bien­nale: The Making of’

Re-Sampling Ornament at the SAM, Basel

Helioskope, © Evan Douglis Studio LLC; Photo: Darrel Ronald

A small but fan­tas­tic exhi­bi­tion, Re-​Sampling Orna­ment, has just fin­ished at the Schweiser Archi­tec­ture Museum / Swiss Archi­tec­ture Museum (SAM) in Basel. Curated by Oliver Domeisen and Francesca Fer­gu­son, the show fea­tured a selec­tion of con­tem­po­rary projects that inte­grate orna­ment into the design strat­egy in a fun­da­men­tal way, rather than applied. Each of the projects are sit­u­ated within the con­text of their orna­men­tal typolo­gies and shown next to his­tor­i­cal exam­ples con­sid­ered as lin­eage. With the recent fas­ci­na­tion with pat­tern, biol­ogy and mor­pholo­gies in archi­tec­ture, the exhibit is both timely and a smart addi­tion to the cur­rent think­ing about orna­ment as it con­fronts the still pre­dom­i­nant atti­tude of reduc­tion­ist mod­ernism. The magazine-​style cat­a­logue, SAM #5: Re-​Sampling Orna­ment, is equally as good. It’s also worth look­ing at the other SAM cat­a­logues accom­pa­ny­ing the pre­vi­ous exhibitions.

You can see a small selec­tion of photos on either Dys​turb.Net or FlickR.

Urban Meetings – The Air Foundation

Rotterdam’s Air Foun­da­tion has a promis­ing lineup of debates as part of their Urban Meet­ings series of public dia­logues. I would espe­cially love to see the debate ques­tion­ing, “Are cities more impor­tant than countries?”
Down­load the Eng­lish Pam­phlet (pdf).
Con­tinue read­ing ‘Urban Meet­ings – The Air Foundation’

The Best Hipster Bags – Venice Biennale 2008!

The Eco­to­pe­dia bag had a nice inven­tion, the over-​sized round strap cutout, which allowed you to wear the bag as a big acces­sory; Danish Pavil­ion; Photo: Thomas Stellmach

Upon arriv­ing in Venice for this year’s 11th Venice Archi­tec­ture Bien­nale, the Dys​turb.Net team was so sick that we didn’t know what to do. But when we began to see this year’s freebie-hip­ster-cotton-bags that have become a stan­dard give-​away from the pavil­ions, we started to feel better. These bags are the absolute best way to self-​promote the indi­vid­ual pavil­ions, other than offer­ing free drinks, which we also sup­port. On top of this, they can be beau­ti­ful, and a great reminder from year-to-year of the best pavil­ions and their graphic design cam­paigns. So we said to our­selves, let’s col­lect them and vote for the best bags…. what a great way to go “beyond build­ing“! To all you future cura­tors of your country’s pavil­ions, take note = give away some wickedly designed hip­ster bags and every­one will come!

Click on the photos for a com­plete high-​res shot!

Please com­ment on which bag you think is the best, and if you have more to submit we would be happy to post them.

Con­tinue read­ing ‘The Best Hip­ster Bags – Venice Bien­nale 2008!’