I was also in Venice for the inauguration of the 11th Venice Architecture Biennale. Unlike the other members of Dysturb, this was the fourth time I have attended the opening of the biennale (in 2002, 2004, 2006 and 2008). So, for me, it was difficult not to compare Aaron Betsky’s work at the Arsenale to the work that had been done by the previous international curators (Burdett, Foster, or Sudjic) of the other biennales. On top of this, the Venice Biennale is the main case study for my PhD thesis: the 1st Venice Architecture Biennale.
I have to say that when I left the Arsenale after seeing the exhibition, my enthusiasm was lukewarm: on the one hand I thought, as Darrel did, that the theme chosen by Betsky was loaded with intellectual potential and openness of interpretation and that overall, the show was well curated due to the compactness of the manifesto format. (In the past years the Arsenale’s bombarded the visitors with an overload of images, information, texts, and so forth.) But at the same time, many of the installations and accompanying manifestos remained obscure and slightly too artistic for my own tastes, and likely for the taste of many architects.
I recently discovered a radio program that is broadcast by Radio France Culture every Wednesday from 10 to 11 am. Called Métropolitains, this show existed since 1999 and is hosted by the architectural critic François Chaslin. Métropolitans is a program about architecture and the city. With a smooth voice, François Chaslin and his guests talks about several subjects from landscape architecture to design, lighting, scenography, exhibitions, the city and – of course – its buildings. For example the show of February 27 was entirely dedicated to the British architect Richard Rogers, who is presently presenting a monographic show at the Centre Pompidou in Paris. Also have a look at the 5th of March show, which was dedicated to the philosopher and architect Wittgenstein. Celine Poisson, specialist of the Wittgenstein house and professor of design at the Université du Québec à Montréal, was guest of the show. On the 20th of February the roles were reversed: various architects and historians challenged François Chaslin on issues regarding the actual status of architecture.
You can download Podcasts and archives of the show at the Métropolitains site.
DRL actually stands for Design Research Lab, a research unit started at the AA in 1997. To celebrate the tenth anniversary of DRL, the AA have decide to organise an exhibition, build a temporary pavilion in Bedford Square, and publish DRL TEN: A Design Research Compendium. Continue reading ‘DRL Ten _ AA School London’
