Google Maps recently updated various cities within Europe, including Amsterdam and Rotterdam in the Netherlands. Of course, Europe being much more dense, has caused privacy problems for Google as seen in a row exposed by the BBC News in the UK. While I’ve snooped through some of my favourite spots in Amsterdam and Rotterdam, I’ve yet to explore the limits of what Google has made available online. It seems that some of the secondary cities such as Utrecht and Maastricht still lack the service. Given that the cameras are placed high above a moving truck, there are few (or no) views of pedestrian streets; and perhaps Google should think about capturing Amsterdam by boat?
UPDATE: I’ve added a map with the cities where street view is available. The recently added Oxford, London (Millenium Dome), Rotterdam (Ben van Berkel’s Erasmus bridge) and Amsterdam (Mirailles, West8 & Co. at Borneo) are not yet on it. Even more recent are the additions of Cannes, Zaragoza and the Amalfi Coast. Whatever Google’s criteria for inclusion are, we agree with them.
Since the devastating fire that consumed the notorious architecture faculty at the TU Delft in 2008, the architectural community in the Netherlands has been holding their breadth to find out what their new faculty would look like. The open international ideas competition has recently closed, and the TU Delft is planning to launch the project winners at the NAi in the coming weeks.
On March 14th at the NAi, the award winners and mentions will be announced and a debate held to discuss the work. The museum will simultaneous open an exhibition documenting the work that will run until the 7th June 2009. In total 466 entries came from 50 countries, and the competition organizers will publish a monograph of the work this May.
The highly reputed Jan Van Eyck Academie in Maastricht, Netherlands (Map) has sent out it’s call for applications (click on “Applications” on top), to be received by the 15 April, 2009. The research program mainly reaches out to Artists, Theoreticians and Designers, but their openness always for diversity of students. If you are one of the unfortunate former employees of a Dutch office, and want to stick around the Netherlands, here is a great chance. You can bet that the competition to get in will be stiff. Continue reading ‘If you’ve lost your job, apply to the Jan Van Eyck Academie!’
A new exhibition at the Canadian Centre for Architecture, Actions: What You Can Do With The City, explores the thousands of examples around the globe of people reclaiming urban space through Do-It-Yourself (DIY) actions in order to humanize the failed urban realities around them. While urban action has become a hot subject over the recent years, the CCA has approached the subject from a broad critique that mixes 99 Actions done by artists, architects, designers, politicians, activists, athletes and most importantly average citizens. In many cases the actual museum artifact didn’t exist, thus giving the museum the chance to create the work.
The German architecture magazine, BauNetz, has added a short, but smart interview with Tim Edler from Realities:United. Realities:United is by far the leader in media surfaces integrated to architecture, and the short interview articulates how Edler sees their work in relation to architecture and what projects are meaningful to him. He states that in some cases: “Media facades are also a symptom of weak architecture.” Talking about the integration of media in European architecture, he argues that: “Communication media in architecture is often motivated by an image of modernity” and that it stems from our reading of Asian cities or from science-fiction films. The video also highlights a collaboration with Nieto Sobejano Arquitectos from Spain, as featured in the Re-Sampling Ornament exhibition. One of the office’s exciting new projects, the ECB building in Frankfurt, aims “To shift technical systems to an aesthetic role” and proposes the total control of the lighting system at night for a massively orchestrated 3-dimensional sculpted light show.
A small but fantastic exhibition, Re-Sampling Ornament, has just finished at the Schweiser Architecture Museum / Swiss Architecture Museum (SAM) in Basel. Curated by Oliver Domeisen and Francesca Ferguson, the show featured a selection of contemporary projects that integrate ornament into the design strategy in a fundamental way, rather than applied. Each of the projects are situated within the context of their ornamental typologies and shown next to historical examples considered as lineage. With the recent fascination with pattern, biology and morphologies in architecture, the exhibit is both timely and a smart addition to the current thinking about ornament as it confronts the still predominant attitude of reductionist modernism. The magazine-style catalogue, SAM #5: Re-Sampling Ornament, is equally as good. It’s also worth looking at the other SAM catalogues accompanying the previous exhibitions.
You can see a small selection of photos on either Dysturb.Net or FlickR.
The Ecotopedia bag had a nice invention, the over-sized round strap cutout, which allowed you to wear the bag as a big accessory; Danish Pavilion; Photo: Thomas Stellmach
Upon arriving in Venice for this year’s 11th Venice Architecture Biennale, the Dysturb.Net team was so sick that we didn’t know what to do. But when we began to see this year’s freebie-hipster-cotton-bags that have become a standard give-away from the pavilions, we started to feel better. These bags are the absolute best way to self-promote the individual pavilions, other than offering free drinks, which we also support. On top of this, they can be beautiful, and a great reminder from year-to-year of the best pavilions and their graphic design campaigns. So we said to ourselves, let’s collect them and vote for the best bags…. what a great way to go “beyond building“! To all you future curators of your country’s pavilions, take note = give away some wickedly designed hipster bags and everyone will come!
Click on the photos for a complete high-res shot!
Please comment on which bag you think is the best, and if you have more to submit we would be happy to post them.
“What’s Left” installation view of graphic design carpet by Thonik, Photo by: Darrel Ronald
Excitement for the idea – Potential of the idea
What happened to the biennale was the main question running through my head the whole time inside the main pavilions this year. The theme, Out There: Architecture Beyond Building, is loaded with intellectual potential and openness of interpretation, and yet did not seem to unite the chosen content exhibited. It is possible that the theme developed by Aaron Betsky was too broad and not accurately defined, or that it was too ambitious without the right resources.
While the biennale is somewhat desynchronised every year –due to the individual country pavilions running with their own themes- this only emphasizes the need for strong curation of the main exhibition pavilions. The Arsenale Pavilion overall read more as a who’s-who list of architects than an intentional presentation of relevant work. Add to this the fact that many pieces of the exhibition where older, well-known works, they were unable to inspire surprise.
As we start to process the event, we have first uploaded our best images for all of you to see: Dysturb or FlickR. Coming soon will be more detailed articles. To find out more about the individual country pavilions both within the Giardini and around Venice, their listing and links can be found here.
Archinect has just published a short interview with Vincent de Rijk, arguably the Netherlands most well-known and admired physical model builder. He has made a large contribution to the aesthetics of contemporary Dutch architecture with his models. Most of us have seen his models in exhibitions, but unfortunately he has no (known) website that covers his work completely. We have also published an early model of de Rijk’s in The Dawn of Contemporary Dutch Architecture.