Author Archive for claudia

GIS 2.0 Symposium

Analysis of spatial distribution of specific population groups (Cooperation with the city Biberach a.d Riß)

Analy­sis of spa­tial dis­tri­b­u­tion of spe­cific pop­u­la­tion groups (Coop­er­a­tion with the city Bib­er­ach a.d Riß)

The Pla­nungsnet­zw­erk geo-​Innovation of the Uni­ver­sity of Karl­sruhe is orga­niz­ing its second sym­po­sium on the 23rd of april in Karl­sruhe. Its all about gis, web 2.0, exper­i­ments within urban con­text with gps and geo­data.
Con­trib­u­tors are amongst others the open­streetmap (see also Thomas arti­cle open­streetmap) and the unortkataster.

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Dynamic map of the inner city (Coop­er­a­tion with the city of Mannheim)

Area with Development Potential >>> Zollverein Coking Plant

Model pho­tog­ra­phy of the coking plant with new west­ern part, photo: Clau­dia Strahl / ASTOC

Once a gigan­tic high-​performance machin­ery, daily output of 8,500 tons of coke, as well as ammo­niac, bitu­men, and ben­zene, work­place for 1,000 people. Since 1999 open to the public. Today devel­op­ment area for the next build­ing stage on the World Her­itage Site.

The coking plant devel­op­ment con­cept has been pre­sented by ASTOC , the cologne based office for which I am work­ing. It is the basis for future land-​use plan. Tenor: The coking plant should become an ani­mated area, whilst main­tain­ing its indus­trial struc­tures. An urban space for cul­ture and work. Varied, self-​dynamic, but easily com­pre­hen­si­ble and gen­er­at­ing an identity.

Con­tinue read­ing ‘Area with Devel­op­ment Poten­tial >>> Zol­lverein Coking Plant’

The sky is no limit

Illu­mi­nated Tele­vi­sion Tower; Photo: Iwo Gospodinov

Last week my friends Bob and Chris­t­ian gave a new sil­hou­ette to cologne, by means of illu­mi­nat­ing the tele­vi­sion tower with a spec­tac­u­lar lighten moved dress.

Up to the 1980s the con­struc­tion of a tele­vi­sion tower was a matter of course for many German cities to under­line their urban char­ac­ter. Cologne is no excep­tion: The local Colo­nius was designed by Erwin Heinle and was fin­ished in 1981. With a height of 266 meters it is not only the high­est tele­vi­sion tower in Nordrhine-​Westfalia, but also a strik­ing land­mark that is vis­i­ble from far. As such, it is an inher­ent part of Cologne’s sky­line by day and night. Unfor­tu­nately its sig­nif­i­cance as a tourist des­ti­na­tion has been lost since the clo­sure of the obser­va­tion plat­form sev­eral years ago.
The archi­tects Chris­t­ian Dieck­mann and Robert Wet­zels want to re-​raise the aware­ness for the sig­nif­i­cance of the dis­tinc­tive build­ing for the cityscape of Cologne:
Con­tinue read­ing ‘The sky is no limit’

Questions & Flowers – a Retrospective by Fischli & Weiss

Pigs

Peter Fis­chli / David Weiss: “Objects From the Raft”, 1982; Source: unknown

This sunday i went to see the exhi­bi­tion of swiss artist duo Fis­chli & Weiss in Milan,Italy, orga­nized by the Fon­dazione Nicola Trussardi. Get the first impres­sion by a video on youtube. It runs until the 16th of march, but after­wards it will move to Ham­burg (18. April until 31. August in the Deich­torhallen Ham­burg). The exhi­bi­tion space is the beau­ti­ful Palazzo Litta, the per­fect frame for their work. They are deal­ing with a wide range of means: mul­ti­me­dia instal­la­tions, pho­tog­ra­phy and sculp​tures.Their most famous piece of work is the movie titled “Der Lauf der Dinge” (How things go), from 1987, at the doc­u­menta 8. Their basic prin­ci­ple is to pick up objects and sit­u­a­tions of daily life and trans­form­ing them into a new con­text. What do they exactly aim at? Do they try to find answers on the philo­soph­i­cal and the­o­ret­i­cal ques­tions of life is their irony and also tremen­dous humour a notion to cheer up in a com­plex world?
One extract of a Super 8 movie shows Fis­chli & Weiss, dressed as a bear and a rat, strolling through Hol­ly­wood, ques­tion­ing life.The bears’ com­ment ( in “the least resistance”): ” I hate this chaos in the world. Noth­ing works. Every­thing is hope­less and sad.” Con­tinue read­ing ‘Questions & Flow­ers – a Ret­ro­spec­tive by Fis­chli & Weiss’

Imm Cologne – International Furnishing Show

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Carpet design by Michaela Schleypen

For livestyle junkies imm-​cologne is a must – from local design­ers to big inter­na­tional brands it shows the whole range of spic-and-span-new inte­riour design. Have fun and and hurry up – last day of the design week is 20. Jan­u­ary 2008.

More infos by the organisator:

Top-​class designer fur­ni­ture, clas­sic living worlds, trendy acces­sories: imm cologne pro­vides a com­pre­hen­sive selec­tion of fur­ni­ture and fur­nish­ings. From “imm pure” to “imm basic,” the prod­uct range is clearly struc­tured in seg­ments. This inter­na­tional fur­nish­ing show is the global mar­ket­place and meet­ing place for the inter­na­tional fur­ni­ture sector — the 2008 fair fea­tures more than 1,300 exhibitors from about 60 coun­tries. As the sector’s busi­ness event, trend barom­e­ter, inter­na­tional com­mu­ni­ca­tion forum and centre for cre­ative ideas, imm cologne and its full pro­gramme of events gen­er­ate strong momen­tum for the inte­rior design of tomorrow.

Zumthor in Cologne: The Art Museum of the Metropolitan Bishop

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Facade of the Kolumba museum, photo: Clau­dia Strahl

The swiss archi­tect Peter Zumthor built an art museum around the wreck­age of the parish church St.Kolumba. com­mis­sioned by Car­di­nal Meis­ner (lately in the news with his com­ment of “Entartete Kunst” on Ger­hard Richter’s design for the window Koel­ner Dom) , the won com­pe­ti­tion in 1997 was finally real­ized 10 years later.The museum is an archaic castle for reli­gious art of 2000 years sycamore cul­ture as well for modern installations.

Kolumba con­sists of sev­eral peri­ods in archi­tec­ture his­tory: start­ing with the late Gothic church St.Kolumba, the chapel “Madonna in den Trümmern” ( “Madonna in ruins” ) was buillt in 1950. Inter­est­ingly enough, the archi­tect of this little chapel, Got­tfried Böhm, made now the very con­tro­ver­sial dis­cussed design for the Zen­tral­moschee Köln Cologne Mosque Project. Con­tin­u­ing 1973-1976 with the archae­o­log­i­cal exca­va­tion, final­ized by Zumthor’s new design.

Con­tinue read­ing ‘Zumthor in Cologne: The Art Museum of the Met­ro­pol­i­tan Bishop’

Taryn Simon – USA’s secret places

Storage of atomic waste

Stor­age of atomic waste: 1936 cap­sules are stand­ing in a water bassin, the radioc­tive glow is over­com­ing the thick steel walls

The New York pho­tog­ra­pher Taryn Simon shows the unknown and furtive of Amer­i­can soci­ety. At first glance with an incred­i­ble beauty it turns to a prick­ling scari­ness when under­stand­ing the con­tent. Her first pop­u­lar piece of art is about the Body Farm: a foren­sic insti­tu­tion in Ten­nessee which ana­lyzes the decay of human bodies for the pur­pose of crim­i­nal research. One of her pic­ture shows a dead body lying in scrub, hidden in the dark­ness. The boy is still wear­ing sneak­ers with legs which look burnt. With this series she pro­voked a lot of protest and the insti­tute is now strongly observed.

She attempts to access the most secret rooms, land­scapes, lab­o­ra­to­ries, dumps or archives in Amer­ica. Simon suc­ceeded even to enter the Nuclear Waste Encap­su­la­tion and Stor­age Facil­ity in Han­ford (Wash­ing­ton) which pre­serves 1936 steel cap­sules of atomic waste with 120 mil­lion Curie of radioac­tiv­ity in total. The cold glow of the rays is over­pow­er­ing even within the steel cap­sules, which are sev­eral meters thick. There is prob­a­bly no other place in Amer­ica which is more pol­luted. As Simon writes, the core of the project is the “total detach­ment of expert knowl­edge and offi­cial publicity.”

Plan 07 – City as Readymade

Painting action of ASTOC at the Buchheimer Weg

Paint­ing action of ASTOC at the Buch­heimer Weg (photo: Chris­t­ian Diekmann)

From 21st to 28th Sep­tem­ber the Forum for cur­rent archi­tec­ture is launch­ing the PLAN 07 in Cologne, Ger­many. It is the 9th archi­tec­ture fes­ti­val with venues all over the city fea­tur­ing diverse exhi­bi­tions, lec­tures and more. With public realm as a theme the city will become a stage for projects done by archi­tects, urban & land­scape design­ers, insti­tu­tions, artists and scientists.

For the full pro­gram and fur­ther infor­ma­tion please take a look under plan-​project.com.

Claudia Strahl at the TU Munich

I recently held a lec­ture at the TU MUNICH, Depart­ment for Land­scape Archi­tec­ture and Public Space, on the topic of public space in London, pre­sent­ing some of the work at maxwan archi­tects in Rot­ter­dam. Here’s is an excerpt of it:

Cross River Park, UK

Cross River Park in its final stage

“Cross River Park in its final stage”

Con­tinue read­ing ‘Claudia Strahl at the TU Munich’

Berlage Institute sets new Research Board

Alejandro Zaera-Polo, former dean of the Berlage Institute is now part of the Research Board

“Alejandro Zaera-​Polo, former dean of the Berlage Insti­tute is now part of the Research Board”

The Berlage Insti­tute, post­grad­u­ate lab­o­ra­tory of archi­tec­ture in Rot­ter­dam, has installed a new Research Board. Until now, Ale­jan­dro Zaera Polo (direc­tor of FOA) has been the Dean of the Insti­tute. He has been open­ing the Berlage to a more inter­na­tional field as to tutors, lec­tur­ers and new design strate­gies. Instead of appoint­ing a single fol­lower, the insti­tute named a board of five estab­lished fig­ures: Ben van Berkel, Winy Maas, Robert E. Somol, Elia Zenghe­lis and Ale­jan­dro Zaera Polo him­self. Vedran Mimica (now Direc­tor of Stud­ies) is named direc­tor and will be respon­si­ble for the man­age­ment of the post­grad­u­ate pro­gram and the imple­men­ta­tion of strate­gic advice pro­vided by the Research Board. The idea is to create a new inno­v­a­tive plat­form, not so much depen­dent on a single person. One the one hand this model is very flex­i­ble and inspires dis­cus­sion and cri­tique, on the other hand there is the danger of loos­ing pro­file by not having a rep­re­sen­ta­tive person, a cham­pion. Who is respon­si­ble for what? How much time will the board mem­bers spend at the insti­tute? Will they find a common course? I am curi­ous to follow how this system works out. The open­ness of the system speaks for the flex­i­bil­ity of the Berlage Insti­tute as an inde­pen­dent research laboratory.

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Con­tinue read­ing ‘Berlage Insti­tute sets new Research Board’

Hiroki Matsuura at the chocolate factory

From May 30th to June 5th 2007 Hiroki Mat­suura (maxwan a+u) held a work­shop on “public space” in the famous choco­late fac­tory “Red October” in Moscow. The work­shop was accom­pa­nied by a lec­ture fea­tur­ing some of the office’s projects. A sum­mary follows.

De Gasperi Hous­ing devel­op­ment, Italy
Masterplan “De Gasperi Housing development”

“Masterplan “De Gasperi Hous­ing development”

The “De Gasperi hous­ing devel­op­ment” was a com­pe­ti­tion held in 2005 by the city of Naples. After the 2nd phase of the com­pe­ti­tion, we were awarded first prize and are expect­ing the start of con­struc­tion next year. The loca­tion of the site is about 6km to the east from Naples city centre, in an adja­cent out­skirt of Mt. Vesvio. The size of the site is about 5ha and the aim of this project is to regen­er­ate the area, which was built as a high-​density post-​war res­i­den­tial area in 1950.

Con­tinue read­ing ‘Hiroki Mat­suura at the choco­late factory’

Rouge

My dear friend Veron­ica Arcos just fin­ished her new project – this time a design for the store ROUGE in San­ti­ago de Chile.

The project is sub­or­di­nated to a three dimen­sional grid that orga­nizes the space. The main com­po­nent is a bended shelf that weaves along the inte­rior walls, con­trolled by an algo­rithm that makes the bend­ing expand or com­press accord­ing to the height of the wall and the mate­r­ial tol­er­ance. On the other hand there is the neces­sity of a bill­board that requires to be noticed from dif­fer­ent angles and from a far dis­tance. There­fore it was decided to make it three dimen­sional by frag­ment­ing the let­ters apart, con­vert­ing them into 3d pixels.

So far to the tech­ni­cal descrip­tion of the project – i think it it is pretty beau­ti­ful.
Rouge - a project by Veronica Arcos

3rd IABR

Caracas: the informal city

Cara­cas (photo: George Brugmans)

The 3rd Inter­na­tional Archi­tec­ture Bien­nale Rot­ter­dam is get­ting started! Here you find the most impor­tant dates:

Thurs­day 24 may, by invi­ta­tion only
Open­ing 3e Inter­na­tionale Archi­tec­tuur Bien­nale Rot­ter­dam
loca­tion: Kun­sthal Rot­ter­dam
time: 16.00

Vri­jdag 25 may
Pro­duc­ing the Con­tem­po­rary City#1
With among others Edi Rama, Elia Zenghe­lis and Joan Ockman.
loca­tion: Kun­sthal Rot­ter­dam
time: 9.30-17.00
admis­sion fee: € 15,00
Reser­va­tion Form

Sat­ur­day 26 may,
Pro­duc­ing the Con­tem­po­rary City#2
With among others Edi Rama, Elia Zenghe­lis and Joan Ockman.
loca­tion: Kun­sthal Rot­ter­dam
time: 10.00-15.00
admis­sion fee: € 15,00
Reser­va­tion Form

Exhi­bi­tion archi­tect
Lec­ture by Stanis­laus von Moos on Le Cor­busier – The Art of Archi­tec­ture
For more infor­ma­tion www.​nai.​nl/​r​e​g​ister
loca­tion: Ned­er­lands Archi­tec­tu­urin­sti­tuut (NAi)
time: 14.30-15.30

21.00 IABR Party in the Kun­sthal, by invi­ta­tion only

For fur­ther infor­ma­tion go to:
bien­nale rot­ter­dam
Rot­ter­dam 2007

Hild und K @ Amsterdam

House in Aggstall

“Popular building” (photo: www.​hildundk.de)

Yes­ter­day, the Munich based office hildundk.de gave an insight of their work at the Acad­e­mie van Bouwkunst in Ams­ter­dam. The office com­poses very indi­vid­ual solu­tions for each project, avoid­ing pre­de­fined styles. They attempt to catch people’s emo­tions by using orna­ments and spe­cific mate­ri­als com­bined with a strong con­cep­tual sen­si­tiv­ity. This “ornamentalism” has its roots in the south­ern part of Ger­many which still is influ­enced by baroque tra­di­tion. Hild’s approach is to decon­tex­tu­al­ize the orna­ment, effec­tively tat­too­ing his build­ings.
Con­tinue read­ing ‘Hild und K @ Amsterdam’

Instant City: The Rise of Dubai

Dubai Waterfront Project

On March 14 (2007) the Berlage Insti­tute (Rot­ter­dam) hosted two lec­tures with the title “Instant City: The Rise of Dubai”. Kees Chris­ti­aanse (Archi­tect, Rot­ter­dam) and George Katodry­tis (Archi­tect, Dubai) gave pre­sen­ta­tions while Roemer van Toorn mod­er­ated the event. Marc Angélil unfor­tu­nately was stuck at the Zurich air­port because of the infa­mous Swiss weather.

Dubai is a gated com­mu­nity. What can we do about it? And can archi­tec­ture polit­i­cally engage a global market-​driven power structure?

Kees answered, that Dubai is dom­i­nated by “gatedness”, “sameness”, “fadedness” and “maleness”.
Con­tinue read­ing ‘Instant City: The Rise of Dubai’

PechaKucha in R’dam

Next PechaKucha will be 28th of Feb­ru­ary, start­ing at 20:20. Tick­ets costs 6 Euro.

For those not in the know, Pecha Kucha is an inno­v­a­tive approach to giving pre­sen­ta­tions that is taking design and archi­tec­ture cir­cles by storm. This format ensures that pre­sen­ta­tions last no longer than 6 min­utes and 40 sec­onds as speak­ers are lim­ited to using 20 slides, each of which is shown for only 20 sec­onds. These simple rules have resulted in Pecha Kucha nights becom­ing syn­ony­mous with punchy, fast-​flowing pre­sen­ta­tions that keep audi­ences on their toes.

The Pecha Kucha craze orig­i­nated in Tokyo among cre­ative pro­fes­sion­als as a means to intro­duce and exchange ideas with peers; and is named after the Japan­ese ono­matopoeic equiv­a­lent for chitchat. As it con­tin­ues to sweep through major cities all over the world, it is quite fit­ting that Pecha Kucha has made its way to the Embassy of Japan.

more info

VIVID, centre for design

The span­ish designer Jaime Hayon is stag­ing at the VIVID gallery until the 4th of march. His work con­sists mainly of fur­ni­ture design with ceramic as mate​r​ial.The style is pretty baroque and funky. He is per­fect for archi­tects with rich clients who des­per­ately need a golden bath tub.