Amazing flashmob in front of my one of my favourite public buildings/squares: Peter Celsings Kulturhuset in Stockholm (1966-1971).
You could call Centre Pompidous (1972-1976) programmatic qualities a mere copy of it. In my opinion Kulturhuset works even better, the lowered square connects different pedestrian routes and tunnels them under a major street.
The initial design also marks all the functions by lettering them on the facade: OMA’s diagrams of the 90’s.
ExperimentaDesign Lisboa has announced a call to submit a twenty second (20”) video for you to stand a chance to win special passes to EXD’09 Lisboa. More.
I like the idea of constrained design challenges, often leading to more interesting results as absolutely free choice of media. The demo scene comes to mind, with the inherent need to constrain the demos to minimal filesize (a good introduction would be this video), or artists experimenting with a minimal selection of tools: Steve Reich creating sounds by just cutting and looping (interesting enough performed live again by Peter Aidu in the video below), or Lars von Trier and the dogma movement, who banned effects and illusion, to get back to the essence of movie-making.
Steve Reich – Piano Phase (performed by Peter Aidu)