Associative Design @ Berlage

asso­cia­tive design III – berlage insti­tute second year studio (requires quick­time, turn sound on)

Last week I attended the pre­sen­ta­tions of the asso­cia­tive design 2nd year at the Berlage research studio syn­thetic ver­nac­u­lar. Led by Peter Trum­mer and assisted by our fellow dys­turb evan­ge­list Martin Sobota, the class inves­ti­gated tra­di­tional chi­nese build­ing typolo­gies. The prin­ci­ples found in the analy­sis were used to create a set of rules to create a frame­work to para­met­ri­cally derive urban struc­ture and archi­tec­ture of an exem­plary plot in Shang­hai: Deus ex Machina.

The research group divided up into for teams, each focussing on dif­fer­ent base para­me­ters as FAR, degrees of pri­vacy, cli­mate, inter­nal room organ­i­sa­tion, sun tra­jec­to­ries. The formal deci­sions of the teams also led to vary­ing urban fab­rics, from low-​rise high-​density urban mass not unsim­i­lar to south-​american fave­las to a styled court­yard & slab net­work. The results are cut­ting edge and and visu­al­i­sa­tions of the process are breath-​takingly beau­ti­ful. But watch the movie first, then pro­ceed to the review.

Degrees of Intimacy

Degrees of Intimacy

The excel­lent cri­tique acknowl­edged that the intri­cacy of the para­met­ric mod­el­ing approach has vastly improved of the course of the last years at the Berlage classes. How­ever, the models are still linear in struc­ture, not span­ning dif­fer­ent scales or relat­ing to larger scale con­fig­u­ra­tions of the envi­ron­ment. From that per­spec­tive it was an inter­est­ing move to apply the method to an actual, real urban plot – the next task is to push things fur­ther, mix scales, create vari­ety. The para­me­ters now well emu­late known exist­ing real­i­ties and re-​create desired qual­i­ties. The chal­lenges lies in break­ing these lim­i­ta­tions, extend­ing the ranges of the para­me­ters to a point where the un-​expected can happen, and sur­pris­ing new qual­i­ties are gen­er­ated. The out­side influ­ences, land­scape, build­ing lim­i­ta­tions, real world effects, could also con­sti­tute the trou­bling ele­ment, which would intro­duce the ten­sion, the cat­a­stro­phies which the homo­ge­neous plans miss.

Urban Plan

Urban Plan of Project 1: Eco­nomic Laws (by Luming and Zhen­fei Wang)

Lars Spuy­broek remarked that ‘when I stud­ied, my fellow stu­dents pre­sented quite sim­i­lar projects, it was at the end of dutch struc­tural­ism. But inter­est­ingly, they pre­sented it in a com­pletely dif­fer­ent way: the dis­course wasn’t about shift­ing and re-​configuring floor plans, but about grass root democ­racy, human inter­ac­tion, all the 60′s idealism.’ This is vis­i­ble when it comes to the eye-​level ren­der­ings of the dis­played projects: spaces of little pro­gram­matic def­i­n­i­tion, where the usual skaters and and happy cou­ples pho­to­shopped in look rather des­o­late. This is where a 2nd class could pick up the thread and eval­u­ate the gen­er­ated spaces, find the advan­tages and short­com­ings and tweak the para­me­ters accord­ingly, thus create a generate-test-feedback loop.

It is remark­able that even after look­ing at these points which need more inves­ti­ga­tion in this young methol­ogy, the results are con­vinc­ing – even more so because ‘the market would solve the prob­lem with four high rise towers’ as Zaera Polo noted.

Among the Crit­ics were:

Par­tic­i­pants of the studio are: Nana Chen, Weijie Liu, Jiri Pavlicek, Shiyun Qian, Ming-​Ying Tsai, Luming Wang, Zhen­fei Wang and Sheng-​Ming Wu.

Down­load the movie here: associative-design.mp4 (156MB, right-​click to save)

68 Comments


  1. VERONICA ARCOS

    WOW!!! IT IS BY FAR THE BEST PRE­SEN­TA­TION I HAVE EVER SEEN @ BERLAGE…CONGRATULATIONS MARTIN, PETER AND TEAM!!!!
    YOU ARE GET­TING BETTER EVERY YEAR.

  2. alenela

    U REALY DID A GOOD JOB!!!

  3. Scott

    This video is very well orga­nized (rimshot!). It was remark­able enter­tain­ing con­sid­er­ing its topic, and for me, an aspir­ing civil engi­neer­ing stu­dent, very infor­ma­tive. I hope to do some sort of urban plan­ning like this at some point in my career. If anyone knows of any sim­i­lar videos (architecture/civil engi­neer­ing), it would be great if anyone could send me a link (illuminaitscott@gmail.com).

  4. toms

    metafilter links to this arti­cle, and it’s always refresh­ing to see non-​professionals com­ment on our work. From the com­ments:

    “An asso­cia­tive house! Each room in a dif­fer­ent place, yet linked…”
    posted by Pope Guilty at 8:01 PM on August 10

    The title of the page is ” Asso­cia­tive Design @ Berlage at dys​turb.net | archi­tec­ture 038; urban­ism in post-​bubble Rotterdam”, but I thought style was far too con­trolled for the Nether­lands, so I was sur­prised. But I guess all the pages on the site say this, and these build­ings are actu­ally in China.

    I always had this idea of cre­at­ing struc­tures with­out rep­e­ti­tion by cre­at­ing pro­ce­dural struc­tures. And it seems these people have gone and done it. Sweet.
    posted by delmoi at 8:07 PM on August 10

    intrest­ing how she pro­nounces “courtyard” Until it was spelled out I thought she might be saying some Chi­nese word “ko-ya”
    posted by delmoi at 8:33 PM on August 10

    Well I thought it amaz­ing, so well thought out, such atten­tion to detail. I think its got some­thing. I think the under­stand­ing of venac­u­lar archi­tec­ture has a great deal to say.
    posted by MrMer­lot at 10:11 PM on August 10

    [Roarkian derail excised. Flag it and move on.]
    posted by cortex at 10:55 PM on August 10

    I think this is very inter­est­ing but the com­puter voice is a little grat­ing to follow.
    posted by anden­dau at 3:08 AM on August 11

    Or maybe its not the uncanny valley and just a chi­nese woman speaking…
    posted by anden­dau at 3:15 AM on August 11

    Good to see someone’s con­sid­er­ing how to make a better city plan, and that it’s influ­enced by tra­di­tional rules.. How­ever, it seems that in 10-15 years, archi­tects and urban plan­ners would look at a project like this and be moved to make an inspir­ing pre­sen­ta­tion on putting *win­dows* back into houses.

    I’ve never been to China, and I’m not a plan­ner. But. It seems that in the cur­rent and highly rigid hous­ing devel­op­ments, at least some of the hous­ing is done well (espe­cially in the afflu­ent neigh­bor­hoods, obvi­ously) — but the plan­ning isn’t done right. Here, the plan­ning may be better, but the houses are designed for, I don’t know, ogres? This often seems to be the case in any of these top-​down planned-to-the-centimeter-developments: they can’t plan for every­thing.

    So I guess the obvi­ous solu­tion is to offer up this plan­ning method (if it’s new?) and allow other archi­tects and build­ings to do their work based on the devel­oped rules.
    posted by romanb at 4:44 AM on August 11

    Being school projects, I can under­stand that there were prob­a­bly par­tic­u­lar design con­sid­er­a­tions that were being addressed, but I found the appar­ent lack of tran­sit and nav­i­ga­tion sys­tems dis­ap­point­ing. I can imag­ine being lost inside one of there neigh­bor­hoods and never get­ting out. The analy­sis of the orgainc ver­nac­u­lar Chi­nese court­yard con­struc­tion and sub­se­quent appli­ca­tion to these models was inter­est­ing; how­ever this type of very rigid top-​down public plan­ning is sort of depress­ing in a human habi­trail kind of way. I real­ize that’s the nature of high den­sity hous­ing espe­cially, but design­ing a couple of apart­ment build­ings versus orches­trat­ing entire neigh­bor­hoods seems much less creep­ily Soviet, for lack of a better word. How­ever, these models are cer­tainly much more liv­able than the awful, inef­fi­cient and dehu­man­iz­ing apart­ment blocks. If they ever are built, I’d love to visit. With a GPS unit.
    posted by oneiro­dy­nia at 10:46 AM on August 11

  5. kalle komissarov

    sic! – peter, martin & stu­dents. get­ting better time by time.
    All this with only with 8 students… wow!!

  6. sk101

    Amaz­ing work.. does anyone know what soft­ware was used to
    gen­er­ate the asso­cia­tive floor­plans?

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