Archive for November, 2007

Zumthor in Cologne: The Art Museum of the Metropolitan Bishop

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Facade of the Kolumba museum, photo: Claudia Strahl

The swiss architect Peter Zumthor built an art museum around the wreckage of the parish church St.Kolumba. commissioned by Cardinal Meisner (lately in the news with his comment of “Entartete Kunst” on Gerhard Richter’s design for the window Koelner Dom) , the won competition in 1997 was finally realized 10 years later.The museum is an archaic castle for religious art of 2000 years sycamore culture as well for modern installations.

Kolumba consists of several periods in architecture history: starting with the late Gothic church St.Kolumba, the chapel “Madonna in den Trümmern” ( “Madonna in ruins” ) was buillt in 1950. Interestingly enough, the architect of this little chapel, Gottfried Böhm, made now the very controversial discussed design for the Zentralmoschee Köln Cologne Mosque Project. Continuing 1973-1976 with the archaeological excavation, finalized by Zumthor’s new design.

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King Rem Shovelling Sand

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SSE breaking ground ceremony ( © OMA)

That was quick: The Shenzhen Stock Exchange has broken ground. OMA won the competition just a year ago, now has moved a team of architects to Shenzen and starts building.

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Prominent Spanish Architect Fired

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Teatro Canal, one of the most promintent buildings under construction in Madrid, has been separated at birth from his architect: Juan Navarro Baldeweg

News from Madrid: The developer’s panel in charge of the building has decided to fire the architect claiming delays and budget problems. The comission of the building has been handled according to spanish regulations via an open competition, with the result of an 80 million euro contract being adjudicated.

After the international competition in 2000, Navarro made it to the final and won the contract for designing the building, a representative theatre complex in the center of madrid called Teatro Canal, a 35.000 sqm choreography and dance center. It was going to be one of the most emblematic oeuvres of the then president of the community Alberto Ruiz Gallardon. With an overbudget of 25% (100M euros in total - not that much considering the scale of the works) and a delay of two years, the new president Esperanza Aguirre has decided to ditch Baldeweg from the direction of the building.

It is an open secret that differences between Gallardon (now mayor of Madrid) and Aguirre played a role here. So far the international media has not written anything about it (as far as I know) so the links are mostly in spanish:

The spanish architectural comunnity has been calling for support to Navarro - ‘Aguirre “despide” a Navarro Baldeweg’ (edgargonzalez.com)
William J.R. Curtis in ‘El Pais’: Maestro de la luz
And a whole list of prominent artist and architects is protesting against the decision - ‘Arquitectos y artistas declaran la guerra a Esperanza Aguirre’

The Dawn of Contemporary Dutch Architects

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Y-Oevers Collage ( © unknown)

Back in 1992, the young and aggressive Dutch architects that we know so well today, came together to work on a large project in Amsterdam. The Ruimtelijk Scenario Y-Oevers Amsterdam (Translation: Spatial Scenarios for the Y-Waterfront Amsterdam) shows a long list of heavy-hitting architects and urbanists that now largely control the European architecture debate.

The project was carried out by the teams of: OMA, Neutelings, van Berkel & Bos (now UN Studio), Christiaanse (now KCAP) and West8. The model was built by De Rijk Parthesius (including Vincent de Rijk). Even more impressive was the line-up of the teams and to see where each of the members went on to. At times, they started their own offices, as with the case of Alejandro Zaera (Foreign Office Architects), Winy Maas (MVRDV) and Rients Dijkstra (Maxwan). The final booklet for the project reads as a whos-who of contemporary Dutch architecture, and the designs and presentation methods within are absolute precursors to the styles developed by each of the offices throughout the rest of the 1990s until today. You can almost tell which architects worked on which drawings, it’s an amazing period just prior to the launch of the many offices we see today in Rotterdam.

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Dysturb International - The 2nd Wave

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If you’ve thought that Dysturb is a bit quiet in terms of posts lately, please forgive us. We are growing through an exciting phase and our energy is poured into the many changes in our personal lives as well as into the direction of Dysturb itself. Over the past months, the core Dysturb writers of Claudia Strahl and Darrel Ronald and Thomas Stellmach have been moving around the world. Claudia relocated to Cologne, Germany; Darrel has relocated to Montréal, Canada; and Thomas has temporarily relocated to Aleppo, Syria. Given this shift, we asked ourselves how to go forward with Dysturb.Net.

Our conclusion is to grow the site to fit the team. Build a network of architects, urbanists and designers that can cover the design capitals around the globe with first-hand experiences and views into how design is embedded into our daily lives, daily cultures, and cities. In this sense, we will continue the strategy of Dysturb, but we will enlarge its geographical scope to cover more cities than just Rotterdam, where us core writers originally were located. Rotterdam has inscribed itself into this blog, and the architectural energy of the city was instrumental in our creation of this project and our desire to contribute to this debate. That said, we do plan to keep the calendar Rotterdam specific, because this fills a specific need locally; perhaps at some point we introduce local calendars, but for now we will not.

This is still an experiment, and we hope that you feel free to comment on our work, and its ability to share interesting and appropriate content. Of course, we do this for fun, and as I’ve written before, we aren’t CNN. To quote one of our original posts on the goal of Dysturb:

This website is our way to reflect, propose, challenge, get excited about, and SHARE the architecture world around us. We’ve made all the web 2.0 goodness available to you: you can view our pictures via our flickr page, you can subscribe to our links via delicious, you can hook our dates into your google calendar or integrate it in your ical. And there are RSS feeds of all our content, be it the articles, the photos, or the calendar events. But we’d love even more to hear what you think, so comment on our articles, send us that design that made you cry, or be a guest writer!

The core writers and editors are and will continue to be:
Thomas Stellmach (Rotterdam, NL + Aleppo, SY)
Darrel Ronald (Montréal, CA)
Martin Sobota (Rotterdam, NL)
Claudia Strahl (Cologne, DE)

We would like to already welcome these new writers and the list is growing:
Edgar Gonzales (Madrid, ES)
Cornelia Redeker (Munich, DE)

So that you know our direction, we are currently attracting writers in these cities:
Amsterdam, Barcelona, Berlin, Brussels, Buenos Aires, Copenhagen, Dubai, London, Los Angeles, Moscow, New York, Paris, Shanghai, Sao Paulo, Stockholm, Tokyo, Toronto, Zurich and wherever the architecture and urbanism content pours in from. If you feel the desire to be a part of this project, please feel free to contact us through the info page.

Haus der Kunst

HDK Podium with Koolhaas & Herzog & de Mauron

HDK Podium with Koolhaas, de Meuron and Mark Wigley, photo: Peter Scheller

Munich´s Haus der Kunst is turning 70. After being inaugurated by no other than Adolf Hitler in 1937 this building is more than its neoclassical architectural expression of fascist ideology. What makes this building, designed by Ludwig Troost, so intriguing is that its steel frame construction actually brings it closer to American 20th century hotels and banks and the concept of fake fassade than to the solidity of its appearance. The current director Chris Dercons` genuine approach of `critically dismantling` the post war veiling of the buildings` symmetry and scale in order to enable a confrontation rather than a diminutive of its original architectural state is also profiting from this almost exculpatory secret.

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